October 1, 2003 Shea Stadium New York

 

Well, at least Bruce waited till the end of the tour to stoke the still sensitive nerves of NY’ers by performing the most politically charged and controversial show since releasing The Rising in the summer of 2002. The night was already historic based upon the baseball venue most musically famous by virtue of the Beatles legendary performances there around 1965 or so.

 

Bruce opened the NY shows with odd voice-overs of George W Bush repeating the phrases “world peace” and “weapons of mass destruction” before ripping into a great version of Souls Of The Departed. While the audience was expecting something special for sure, this opening was the musical equivalent of having a tub of Gatorade dumped on your head in the middle of January. Besides the song choice being kind of obscure, this opening put everybody on their heels and set an unfortunately down tone that was never overcome.

 

Some of the down mood may have been due to a mid week performance on a cold October night, in addition to much of the audience having already attended more than a few NJ shows. The Jersey performances were nothing short of exhilarating night after night but for whatever reason, Bruce was pushing the peace, love and Woodstock buttons tonight. Plus after seeing him in so many shows in the past year, I could clearly see that Bruce was just about completely drained and probably could not hold back the old hippie sensibilities any longer.

 

Nevertheless, a great one-two punch was noted with back to back performances of Tunnel of Love which segued into Brilliant Disguise. A hootenanny version of Johnny 99 was unexpected as was a burning version of The Fuse (pun well intended). Continuing with the button pushing, Bruce chose tonight to re-introduce the racially charged anthem American Skin (41 Shots) which was met with mostly stunned silence and a fair amount of boos (not to be confused with Bruuce) from the NY audience.

 

I think the song does share both sides of the tragic Amadou Diallo story (an unarmed black man was shot 41 times in a known drug-peddling housing project by white NY policemen).  However, not everybody hears the yin (“you can get killed just for living in your American Skin”) balanced by the yang (“is that a gun, is it a knife, is it a wallet, this is your life”) so I can’t blame the NY cops who either turned their backs or just walked right out of the show during this number.

 

In another example of yin-yang, Into the Fire, which eloquently describes the heroics of police, and firefighters who climbed the smoky stairs of the Twin Towers and into their smoky graves followed this song. This was followed by the metaphoric Creedence Clearwater Revival hit Who’ll Stop The Rain so all I can say is that this was a really weird night, despite a great band performance! In fact, Ralph was with me for the 4th time on this tour and he thought that this was the best show he had seen. I reminded him that he bailed out on the July 24th show but did agree that it was right on the money, musically if not philosophically speaking.